• Installation Shots
  • Artworks
    • Jacob Ouillette Either VIII, 2016 Pencil, pen, charcoal, marker, acrylic paint, spray paint, oil stick and watercolor on book pages on paper 30 1/8 x 22 1/4 in. 32 1/8 x 24 1/4 in. Framed
      Jacob Ouillette
      Either VIII, 2016
      Pencil, pen, charcoal, marker, acrylic paint, spray paint, oil stick and watercolor on book pages on paper
      30 1/8 x 22 1/4 in.
      32 1/8 x 24 1/4 in. Framed
    • Daniel Diaz-Tai Subconscious NO0134.16, 2016 Mixed media on paper 30 x 22 in. 32 x 24 in. framed
      Daniel Diaz-Tai
      Subconscious NO0134.16, 2016
      Mixed media on paper
      30 x 22 in.
      32 x 24 in. framed
    • Edward Holland The Scales Version 14, 2020 Continuous tone photographic print on Entrada Rag paper 18 x 16 in. framed
      Edward Holland
      The Scales Version 14, 2020
      Continuous tone photographic print on Entrada Rag paper
      18 x 16 in. framed
    • Jacob Ouillette Either 2. VII, 2016 Watercolor, pen, graphite, chalk pastel, acrylic paint, spray paint and oil stick on book pages on paper 36 1/2 x 29 in. 38 1/2 x 31 in. Framed
      Jacob Ouillette
      Either 2. VII, 2016
      Watercolor, pen, graphite, chalk pastel, acrylic paint, spray paint and oil stick on book pages on paper
      36 1/2 x 29 in.
      38 1/2 x 31 in. Framed
    • Ty Clark You Are None Other Than Champion., 2022 Acrylic, graphite, pastel pencil, thread and canvas on canvas 30 x 20 x 5 in. 76.2 x 50.8 x 12.7 cm.
      Ty Clark
      You Are None Other Than Champion., 2022
      Acrylic, graphite, pastel pencil, thread and canvas on canvas
      30 x 20 x 5 in.
      76.2 x 50.8 x 12.7 cm.
    • Lisa Hochstein Missing Pieces (6), 2015 Mixed media on paper 16 x 12 in. 40.6 x 30.5 cm.
      Lisa Hochstein
      Missing Pieces (6), 2015
      Mixed media on paper
      16 x 12 in.
      40.6 x 30.5 cm.
    • Jacob Ouillette Either 2. V, 2016 Watercolor, pen, graphite, chalk pastel, acrylic paint, spray paint and oil stick on book pages on paper 36 1/2 x 29 in. 38 1/2 x 31 in. Framed
      Jacob Ouillette
      Either 2. V, 2016
      Watercolor, pen, graphite, chalk pastel, acrylic paint, spray paint and oil stick on book pages on paper
      36 1/2 x 29 in.
      38 1/2 x 31 in. Framed
    • Daniel Diaz-Tai Subconscious N0507.16, 2016 Oil on wood panel 96 x 72 in. 243.8 x 182.9 cm.
      Daniel Diaz-Tai
      Subconscious N0507.16, 2016
      Oil on wood panel
      96 x 72 in.
      243.8 x 182.9 cm.
    • Ty Clark Windy and Remembered. Say Hello to Jean-Michel., 2022 Acrylic, conte crayon, thread, paper and folded canvas on wood panel 24 x 24 x 6 in. 61 x 61 x 15.2 cm.
      Ty Clark
      Windy and Remembered. Say Hello to Jean-Michel., 2022
      Acrylic, conte crayon, thread, paper and folded canvas on wood panel
      24 x 24 x 6 in.
      61 x 61 x 15.2 cm.
    • Edward Holland The Scorpion Version 8, 2020 Continuous tone photographic print on Entrada Rag paper 18 x 16 in. framed
      Edward Holland
      The Scorpion Version 8, 2020
      Continuous tone photographic print on Entrada Rag paper
      18 x 16 in. framed
    • Jacob Ouillette Seducers Diary 2 I, 2017 Pencil, pen, permanent marker, watercolor, charcoal, acrylic, spray paint and oil stick on book pages on paper 28 x 18 3/4 in. 30 x 20 in. Framed
      Jacob Ouillette
      Seducers Diary 2 I, 2017
      Pencil, pen, permanent marker, watercolor, charcoal, acrylic, spray paint and oil stick on book pages on paper
      28 x 18 3/4 in.
      30 x 20 in. Framed
    • Ty Clark Mid-Winter and Musical Jests Float atop Trees and Light Rain., 2022 Acrylic, conte crayon, pastel pencil on canvas 53 x 50 in. 134.6 x 127 cm.
      Ty Clark
      Mid-Winter and Musical Jests Float atop Trees and Light Rain., 2022
      Acrylic, conte crayon, pastel pencil on canvas
      53 x 50 in.
      134.6 x 127 cm.
    • Edward Holland The Crab Version 5, 2020 Continuous tone photographic print on Entrada Rag paper 18 x 16 in. framed
      Edward Holland
      The Crab Version 5, 2020
      Continuous tone photographic print on Entrada Rag paper
      18 x 16 in. framed
    • Lisa Hochstein Missing Pieces (12), 2015 Mixed media on paper 16 x 12 in. 40.6 x 30.5 cm.
      Lisa Hochstein
      Missing Pieces (12), 2015
      Mixed media on paper
      16 x 12 in.
      40.6 x 30.5 cm.
    • Edward Holland The Virgin Version 15, 2020 Continuous tone photographic print on Entrada Rag paper 18 x 16 in. framed
      Edward Holland
      The Virgin Version 15, 2020
      Continuous tone photographic print on Entrada Rag paper
      18 x 16 in. framed
    • Lisa Hochstein Prairie Fenceline (4), 2015 Mixed media on paper 14 x 10 in. 35.6 x 25.4 cm.
      Lisa Hochstein
      Prairie Fenceline (4), 2015
      Mixed media on paper
      14 x 10 in.
      35.6 x 25.4 cm.
    • Jacob Ouillette Seducers Diary 2 IV, 2017 Pencil, pen, permanent marker, watercolor, charcoal, chalk pastel, acrylic and spray paint on book pages on paper 28 x 18 3/4 in. 30 x 20 in. Framed
      Jacob Ouillette
      Seducers Diary 2 IV, 2017
      Pencil, pen, permanent marker, watercolor, charcoal, chalk pastel, acrylic and spray paint on book pages on paper
      28 x 18 3/4 in.
      30 x 20 in. Framed
    • Daniel Diaz-Tai Subconscious NO0129.16, 2016 Mixed media on paper 30 x 22 in. 32 x 24 in. framed
      Daniel Diaz-Tai
      Subconscious NO0129.16, 2016
      Mixed media on paper
      30 x 22 in.
      32 x 24 in. framed
    • Daniel Diaz-Tai Subconscious N0501.16, 2016 Oil on wood panel 50 x 88 in. 127 x 223.5 cm.
      Daniel Diaz-Tai
      Subconscious N0501.16, 2016
      Oil on wood panel
      50 x 88 in.
      127 x 223.5 cm.
    • Jacob Ouillette Seducers Diary 2 V, 2017 Pencil, pen, permanent marker, acrylic, spray paint and oil stick on book pages on paper 28 x 18 3/4 in. 30 x 20 in. Framed
      Jacob Ouillette
      Seducers Diary 2 V, 2017
      Pencil, pen, permanent marker, acrylic, spray paint and oil stick on book pages on paper
      28 x 18 3/4 in.
      30 x 20 in. Framed
    • Lisa Hochstein Missing Pieces (4), 2016 Mixed media on paper 16 x 12 in. 40.6 x 30.5 cm.
      Lisa Hochstein
      Missing Pieces (4), 2016
      Mixed media on paper
      16 x 12 in.
      40.6 x 30.5 cm.
    • Ty Clark Sway in the balance. #2, 2022 Acrylic, graphite, pastel pencil, oil pastels, conte crayon on canvas 44 1/2 x 43 in. 113 x 109.2 cm.
      Ty Clark
      Sway in the balance. #2, 2022
      Acrylic, graphite, pastel pencil, oil pastels, conte crayon on canvas
      44 1/2 x 43 in.
      113 x 109.2 cm.
    • Jacob Ouillette Seducers Diary 2 II, 2017 Pencil, pen, watercolor, charcoal, chalk pastel, acrylic and spray paint on book pages on paper 28 x 18 3/4 in. 30 x 20 in. Framed
      Jacob Ouillette
      Seducers Diary 2 II, 2017
      Pencil, pen, watercolor, charcoal, chalk pastel, acrylic and spray paint on book pages on paper
      28 x 18 3/4 in.
      30 x 20 in. Framed
    • Daniel Diaz-Tai Asemic N523.15, 2015 Sumi ink and oil on paper 30 x 22 in. 32 x 24 in. framed
      Daniel Diaz-Tai
      Asemic N523.15, 2015
      Sumi ink and oil on paper
      30 x 22 in.
      32 x 24 in. framed
    • Lisa Hochstein Missing Pieces (7), 2016 Mixed media on paper 16 x 12 in. 40.6 x 30.5 cm.
      Lisa Hochstein
      Missing Pieces (7), 2016
      Mixed media on paper
      16 x 12 in.
      40.6 x 30.5 cm.
  • Press Release

    NAVA Contemporary is pleased to present Language Arts, a group show featuring work by Ty Clark, Daniel Diaz-Tai, Lisa Hochstein, Edward Holland and Jacob Ouillette. Words have shaped civilizations, preserved memories, and expressed the inexpressible. Language Arts is an exploration of the enduring power and evolving form of language in visual art. From literary references to personal mantras to symbolic words, this group show highlights contemporary artists who are harnessing the power of the written word as both message and material.

    Ty Clark evokes a lifetime of art-making, cultural exploration, literature, and deep inquiry into the human consciousness in his frenzied, gestural technique. He applies layers of text and paint, charcoal and oil in a dizzying assembly, ultimately resulting in a fresh, contemporary, graphic style.

    Daniel Diaz-Tai's canvases are borne of his multicultural heritage being raised between Venezuela, China and the US. He uses graphite, sumi ink, oil and charcoal to bring to life richly textured pieces that meld calligraphy with painting, bridging the disciplines of graphic design and fine art.

    Lisa Hochstein's mixed media on paper works reference architectural structures while exploring the potency of found material and the interplay between reduced and complex visual vocabularies. Her work ranges from dense, intensively labored collages to constructions that minimally alter the salvaged remnants of everyday life.

    Edward Holland's series Vigils of the Dead focuses on the Zodiac as the visual intersection of mythology and meaning-making, drawing parallels between the constellations and painting as a means to deliver information. For Holland, the zodiac recalls an antiquated form of storytelling, a way to communicate universal myths about humanity and the natural world.

    Jacob Ouillette uses a simple language of brushstrokes and color in his paintings to conceive musical compositions: each brushstroke is a note, and the final painting a musical score.

  • Artists