• Artworks
    • Linda Bradford Akimbo, 2021 Acrylic on Yupo 13 x 17 in. 33 x 43.2 cm.
      Linda Bradford
      Akimbo, 2021
      Acrylic on Yupo
      13 x 17 in.
      33 x 43.2 cm.
    • Linda Bradford Arcs, 2023 Acrylic on aluminum panel 18 x 24 in. 45.7 x 61 cm.
      Linda Bradford
      Arcs, 2023
      Acrylic on aluminum panel
      18 x 24 in.
      45.7 x 61 cm.
    • Linda Bradford Bird of Paradise, 2021 Acrylic on Yupo 13 x 17 in. 33 x 43.2 cm.
      Linda Bradford
      Bird of Paradise, 2021
      Acrylic on Yupo
      13 x 17 in.
      33 x 43.2 cm.
    • Linda Bradford Cascade, 2023 Acrylic on wood panel 18 x 24 in. 45.7 x 61 cm.
      Linda Bradford
      Cascade, 2023
      Acrylic on wood panel
      18 x 24 in.
      45.7 x 61 cm.
    • Linda Bradford Cross Currents, 2021 Acrylic on Yupo 13 x 17 in. 33 x 43.2 cm.
      Linda Bradford
      Cross Currents, 2021
      Acrylic on Yupo
      13 x 17 in.
      33 x 43.2 cm.
    • Linda Bradford Sea and Sky, 2022 Acrylic on Yupo 13 x 17 in. 33 x 43.2 cm.
      Linda Bradford
      Sea and Sky, 2022
      Acrylic on Yupo
      13 x 17 in.
      33 x 43.2 cm.
    • Linda Bradford Stance, 2021 Acrylic on Yupo 13 x 17 in. 33 x 43.2 cm.
      Linda Bradford
      Stance, 2021
      Acrylic on Yupo
      13 x 17 in.
      33 x 43.2 cm.
    • Linda Bradford Still, 2023 Acrylic on aluminum panel 18 x 24 in. 45.7 x 61 cm.
      Linda Bradford
      Still, 2023
      Acrylic on aluminum panel
      18 x 24 in.
      45.7 x 61 cm.
    • Linda Bradford Summit, 2022 Acrylic on wood panel 18 x 24 in. 45.7 x 61 cm.
      Linda Bradford
      Summit, 2022
      Acrylic on wood panel
      18 x 24 in.
      45.7 x 61 cm.
    • Linda Bradford Voyage, 2022 Acrylic on canvas 18 x 24 in. 45.7 x 61 cm.
      Linda Bradford
      Voyage, 2022
      Acrylic on canvas
      18 x 24 in.
      45.7 x 61 cm.
  • Biography

    In her highly gestural Fluid Dynamics series, Linda Bradford seeks to collaborate with the dynamics of Nature via the hydraulics of paint and the "spring coefficient" of her brushes. Meanwhile, she also tries to remain open-minded and allow the brush to lead, like dancing.

    Ever since she discovered how polyurethane foam brushes can drag and release paint in passages and patterns of seemingly photographic detail, Bradford has been exploiting industrial foam. Working with custom-fabricated brushes, she can pivot the brush mid-stroke without losing contact with the paper, recording on a two-dimensional surface a reorientation that took place in three dimensions.

    Whether doing work that is gestural or geometric, studio or digital, black and white or color, Bradford seeks to achieve the illusion of dimensionality in order to open up space, to make two dimensions appear to be three-all the better for the viewer to be lost in. For when focus is fully absorbed, perception becomes the narrative.

  • CV

    Lives and works in Beacon, NY

    EDUCATION

    MFA, School of Visual Arts, New York, NY
    Art Students League, studied with Richard Pousette-Dart

    SELECTED EXHIBITIONS & INSTALLATIONS

    2020
    The Blues, The Painting Center, New York, NY
    Gesture & Motion, Site: Brooklyn Gallery, Brooklyn, NY
    Stay Home, Make Art: Hudson Valley NY, Dorsky Museum online
    2018
    Strata Veil, The Downtowner, Saratoga Springs, NY
    2016
    Expanded Fields, Pratt Institute, Brooklyn, NY
    2015
    New Directions, Barrett Art Center, Poughkeepsie, NY
    2014
    Off the Wall, Pierogi Gallery, Brooklyn, NY
    2013
    Unhinged, Pierogi Gallery, Brooklyn, NY
    2012
    Phenomena, The Phatory, New York, NY
    2006
    Summer Show, Galerie Open, Berlin, Germany
    2003
    Selected Work, Limn Gallery, San Francisco, CA
    2002
    Witness and Response, Library of Congress, Washington, DC
    Reactions 9/11, Exit Art, New York, NY
    2000
    Infinite Resolution, Catherine Moore Fine Arts, New York, NY
    1996
    Art Interactive, Crocker Museum of Art, Sacramento, CA
    1987
    Solo exhibition, ABC No Rio, New York, NY

    COLLECTIONS

    Adobe Systems, San Jose, CA
    The Library of Congress, Washington, D.C.
    Oakland Museum of California, Oakland, CA
    Bache & Company, San Francisco, CA
    Crocker Bank, San Francisco, CA
    Jeannine Oppewall
    Judy Blume

    BIBLIOGRAPHY

    Patterns in Design, Art, and Architecture, Petra Schmidt, Annette Tietenburg, Ralf Wollheim, eds., Birkhauser, Basel, 2005; second edition, 2007
    Amica, "Finto Puntinismo Cinese," April 2005
    Surface, "Border Control," Issue 47, 2004
    Frame, "Detail 23," September/October 2004

    MEDIA

    Work featured in the Viewing Program at The Drawing Center, ongoing
    Work appeared in multiple episodes of "Gossip Girl," 2011-2012

    Download Bradford CV